Within the choir there is a profusion of very rich oaken carving, both on the screen that separates it from the nave, and on the seats and walls; very curious and most elaborate, and lavished (one would say) most wastefully, where nobody would think of looking for it,--where, indeed, amid the dimness of the cathedral, the exquisite detail of the elaboration could not possibly be seen. Our guide lighted some of the gas-burners, of which there are many hundreds, to help us see them; but it required close scrutiny, even then. It must have been out of the question, when the whole means of illumination were only a few smoky torches or candles. There was a row of niches, where the monks used to stand, for four hours together, in the performance of some of their services; and to relieve them a little, they were allowed partially to sit on a projection of the seats, which were turned up in the niche for that purpose; but if they grew drowsy, so as to fail to balance themselves, the seat was so contrived as to slip down, thus bringing the monk to the floor. These projections on the seats are each and all of them carved with curious devices, no two alike. The guide showed us one, representing, apparently, the first quarrel of a new-married couple, wrought with wonderful expression. Indeed, the artist never failed to bring out his idea in the most striking manner,--as, for instance, Satan, under the guise of a lion, devouring a sinner bodily; and again in the figure of a dragon, with a man halfway down his gullet, the legs hanging out. The carver may not have seen anything grotesque in this, nor intended it at all by way of joke; but certainly there would appear to be a grim mirthfulness in some of the designs. One does not see why such fantasies should be strewn about the holy interior of a cathedral, unless it were intended to contain everything that belongs to the heart of man, both upward and downward.

In a side aisle of the choir, we saw a tomb, said to be that of the Emperor Henry IV. of Germany, though on very indistinct authority. This is an oblong tomb, carved, and, on one side, painted with bright colors and gilded. During a very long period it was built and plastered into the wall, and the exterior side was whitewashed; but, on being removed, the inner side was found to have been ornamented with gold and color, in the manner in which we now see it. If this were customary with tombs, it must have added vastly to the gorgeous magnificence, to which the painted windows and polished pillars and ornamented ceilings contributed so much. In fact, a cathedral in its fresh estate seems to have been like a pavilion of the sunset, all purple and gold; whereas now it more resembles deepest and grayest twilight.